Keeping up to date – where am I?

Whilst I have been working consistently I have not been blogging as much. There are now so many competing platforms these days to keep people up to date on what I am doing I must admit I am still trying to figure out the best way. Being curious I have been trying a few of these out.

I am aiming to continue post here about every 3-4 weeks with significant and more detailed updates.

I have some an announcement about something exciting happening at the end of the year which I should be able to post here very soon.

In the meantime I have been carving consistently for the past couple of weeks on a new large work – a Waratah Tryptich. It is quite a challenge carving the pieces back to back but my shoulder is holding up well so far – although my neck s a bit challenged & stiff! Here are 3 photos (from Instagram of the progress).

Waratah Tryptich Central Panel Carving

Waratah Tryptich Panel 1 Carving

Waratah Tryptich Panel 2 Carving

I am making regular updates on Instagram and Twitter. I must admit I am enjoying the immediacy of these two mediums for both recording and finding sources of inspiration. Instagram is my current favourite as it allows a visual log of what you may be doing at any time, what things you are finding interesting or providing inspiration and where you may be at with artwork.

Kind of like a little visual journal. http://instagram.com/lynweir#

INSTAGRAM - LynWeir

Twitter gives you 140 characters to ‘micro-blog’ so again there is an immediacy. It is also providing the opportunity to connect with other artsist/printmakers/linocut/relief print people. We can exchange ideas/images of what we are doing and check on each others progress. So it enables immediate connection with others which is wonderful for someone who spends a lot of time in the studio alone. Again there are sources of inspiration, on what’s happening, the opportunity to interact with others and just a bit of humour in a day.

Twitter Lynette Weir

These smaller updates also feed though into a Facebook – Lynette Weir Studio – page  if you do not follow twitter or Instagram or Twitter.

Facebook Page

You can add me as a friend on my Facebook Profile – Soulsong Lynette Weir.

Facebook Profle

I do have an account of Pinterest but it has not really grabbed me like the other platforms. I think this is due to the copyright issues flagged about this site in the past. I do however notice that my work and images of my processes are often ‘pinned’ by others so decided to have a small and I admit not well frequented presence there.

PINTEREST LynWeir

I have an About Me account as well!!

Again I do not really update here frequently. This platform seems to be more about making a statement with image/s ‘about me’ and providing the opportunity of being a kind of ‘one-stop’ place to link to your other platforms.

ABOUT ME Lynette Weir

Finally I have a LinkedIn account – again not well used by me but for those who want to connect in this way I am there!!

LinkedIn Lynette Weir

Of course the ‘one-stop-shop’ for where you can find all my art – my website – lynetteweir.com

WEBSITE Lynette Weir

… I may well be in other places …

… but I just can’t remember where any more …

… but mostly I am in my studio or print studio making art.

I must admit that ‘keeping up’ can be a tad exhausting at times!!

We seemed to have a lot more time back when we all corresponded by a handwritten or typed letter! But it can also be great engaging with others in all these myriad of ways we are presented with through the internet.

So feel free to follow along anywhere above and we’ll see where it all takes us. I cannot imagine what the world of the internet will bring us into the future but it will make for an interesting ride!

But to cut to the chase the best way to keep up (with daily images & short posts about what I am doing that day) follow me on Instagram or Twitter.

Or

Just wait for a post here every 3-4 weeks.

Flight Officer Don Vidler – DFC – ANZAC DAY 2013

In Australia the 25th April is ANZAC Day – it is a time to remember those who died, fought and supported those who fought in wars and conflicts. It is not a time to celebrate war but to remember the contributions of many who found themselves going into war or conflict to defend their country.

Last year I wrote about and recorded the diary of my father –in-law Emanuel Weir who was a Flight Officer in WW2.

This year I am writing about Don Vidler a Flight Officer/Pilot in WW2 who was awarded the Distinguished Flying Cross – DFC – and who was not only my second cousin but someone who I grew up seeing regularly and with fond memories of these family times. My Nanna was originally a Vidler before she married my Pop and became a ‘Moss’. Don was my mum’s cousin and we would get together – both our families lived in the Sutherland Shire. He was a favourite with my Nanna!

My memory of him is of a kind, genuine, caring and honorable man with a keen sense of humour and mischief.

This is a favourite photo of mine of Don – it is how I remember him with a broad and ready smile.

I took it at the Anzac Day Sydney march in 1981 as part of my Essay on Anzac Day for my HSC Art major work.

Don Vidler 4WEB

This is a little of his story.

Donald Earl Vidler was born in Ballina in 1919. His father died in an accident when Don was 3 years old and Don left school at 13years after gaining his QC Certificate to work to help and support his mother who owned a store in Ballina. This was the time before Widow’s pensions and Social Security and Don worked hard to help his mother including some time cutting sugar cane by hand – a hard and physically demanding job.

Don joined the Airforce in 1942 and like my husband’s father was posted to, and trained in, Canada as a pilot under the Empire Training Scheme. On completion of his training he was posted to England as a Spitfire Pilot. However his time as a Spitfire Pilot ended abruptly when he was transferred to Bomber Command. Apparently Don and his friend Harry Powell decided to do some air-to-gunnery practice and when turning to attack, Don fired his guns too soon resulting in him shooting the tail off the towing aircraft. By all accounts he and his friend Harry thought it was hilarious but the authorities did not, and he was transferred to Bomber Command.

On a wet and cold night at around midnight on the 8th September 1944 Lancaster LM270D2 of the 626 Squadron RAF, Wickenby of which Don was the pilot was returning to base at Wickenby after a training exercise. He was faced with the possible head on collision with another Lancaster from a neighbouring air base who was also on a holding pattern. Don took evasive action to avoid the collision turning his nose down whilst the other aircraft turned its nose up, narrowly missing a cottage and crashing into a field at 200mph. The undercarriage was torn off, the airplane was on fire and its ammunition was exploding.

An account by John Crompton was to be published in the Lincolnshire Life in November 2000 including:

“Gordon Horner (Navigator) was able to open the cockpit escape hatch and to extricate Don Vidler (Pilot), who was unable to move from his seat. Horner pushed Keith Guy (Bomb Aimer) and Vidler through the hatch. He then managed to free John Fincher (Wireless Telegrapher), whose foot was trapped under his table. Horner and Fincher then escaped.

Don Vidler assembled the four crew members, and they at oce began looking for the other three crew members. David Hooker (Mid Upper Gunner) was found by Horner, unconscious under the starboard wing, and Tom Griffiths (Rear Gunner) was found extensively injured, outside his rear turret. Vidler and Horner attempted to re-enter the aircraft to find the seventh man, but he, Eric Madge (110749) had, in fact, been killed.”

Don had employed evasive action which resulted in a loss of control and the crash of his aircraft. The Flight Engineer was killed and the Rear Gunner broke both his legs in the crash. First to the scene were two teenagers from a nearby farm, and under extreme personal danger, assisted in the evacuation and first aid of the injured crew. One of teenagers, Charles Wright, a Boy Scout, received a Silver Medal – the highest Scout Award presented to him in Lincoln Cathedral, the other Ralph Scott, letters of Commendation from the Commanding Officer of the Squadron, and other sources for his bravery.

Don Vidler - Ralph Scott Comendation WEb

The list of injuries is recorded below.

Destruction of training aircraft which crashed on return from a cross country exercise.

626/D2                        LM270                                    Crash site – Wickenby

Pilot.                P/O D.E. Vidler                       Fractured ribs.                        

W.R. member No. 242

Nav.                 F/S G.J. Horner                      Fractured nose.

W.T.                F/S J.F. Fincher                      Lacerated face.                        

W.R. member No. 233

B.A.                 F/S K.B. Guy              Contused nose and both legs. 

W.R. member No. 346

Eng.                 Sgt. Madge                  Killed

M.U.G.                       F/S Hooker                 Internal injuries.

R.G.                F/S Griffiths                Compound fractures.

LM270 626 SqaudronWEB

Don went on to fly Lancaster bombers over Europe with his crew.

The recollection of the particular mission is recorded by John Fincher – one of Don’s crew in the Eulogy that he gave for Don at his funeral.

“One of our most memorable trips was on the 17th December 1944; we were part of a large force of Lancasters attacking Ulm. Over the target we were attacked by two JU88’s; only Don’s exceptional strength and flying ability saved us. No doubt his strength came in part from his work cutting cane – a hard and difficult task. Don hurled that Lancaster around in very evasive corkscrews. But even then the JU88’s inflicted very heavy loss to our aircraft – rudders, elevators and tailplane were severely damaged and parts shot away. Bullets and cannon shells tore holes through the fuselage and around the rear gunner. The aircraft was extremely difficult to control and Don and Keith struggled to keep it airborne. Don’s strength was such that in an effort to control the aircraft, he bent the rudder bar with his feet. One of our Flight Commanders remarked that without Don’s strength and determination we would never have returned.

We landed on a special emergency drome at Woodbridge and rather than have the Squadron send an aircraft to pick us up. Don decided that we would return by train.”

Don Vidler Citation DFC WEB

The citation for Don’s award of the Distinguished Flying Cross – DFC – says:

            “Flying Officer VIDLER has completed a number of successful sorties attacking such heavily defended targets as HANOVER and COLGNE.

            His tremendous keenness and fine fighting spirit have been outstanding and have set a magnificent example to his crew.

            In December, 1944, during a mission to ULM his aircraft was attacked by an enemy fighter whilst over the target area, but nevertheless he succeeded in dropping his bombs before taking evasive action. His aircraft was severely damaged and most of the control surfaces of the tail were shot away, but by superb airmanship he maintained control of the aircraft and brought it safely back.

            At all times, Flying Officer VIDLER has displayed exceptional skill, coolness and devotion to duty.”

A Telegram was sent to Don’s mother in Ballina – she must of been very proud of her son:

“Congratulations are extended to you by the Minster for Air and Air Board on the award of the Distinguished Flying Cross to your son Flying Officer D E Vidler in recognitions of his gallant service stop advice of this award has just been received from the Air Ministry.”

Don Vidler Telegram to mother DFC WEB

As his friend and fellow crew mate John Fincher said in his Eulogy: “When I say that Don Vidler was a very special and remarkable person please remember that Don on leaving school, with only a Primary School education, flew Spitfires and Lancasters over England and much of Europe – a remarkable achievement.”

Photos of the 626 Squadron and crew.

Don Vidler Plane 1WEB

Don Vidler Plane 2 WEB

Here is an extract from a letter he wrote to John Fincher in 1947, written by Jack Yeats an English Engineer who shared a hut at Wickenby airbase with Don and John Fincher.

“I know I am something of a sentimentalist, I’m glad of that, if I weren’t I wouldn’t want to see a lot of old friends, hear a lot of old voices that I haven’t seen and heard for a long time. One of these days I’m going to Wickenby and walk past the old huts – the mess and see and old runways again. I suppose it’s all there yet – even if no lanes are left.

Sometimes at night I can’t sleep and I go over some of the things that Wickenby and old 626 stood for, the nostalgia it brings at times is overpowering. Clay Bridge Corner – the little winding road up to the Camp, the tense busy atmosphere in the locker room – the undercurrent of excitement – faces of friends; outside – the quietness of the sky. The moon – at times an unwelcome guest – how mysterious the stars seemed flying at night, the uncertainty of everything – even the next second; remember John the view of Happy Valley, the wonderful, terrible sight of thousands of searchlights grotesquely leaning sideways and the pin points of flak from a myriad studded pin cushion. The thrill of interrogation that made it all seem worthwhile.

I remember the old mess, the conversations over the pool table, round the fire, over the bus, the little cinema. Above all the friendships that existed, the laughs, the worried and everything else that made up the life at 626 and 12 Squadrons at Wickenby, friendships and comradeship were the two things that made things bearable. How unreal it all seems now, did it really happen John?”

Don Vidler 2 ANZAC DAY MARCH 1981

A photo of Don I took in 1981 Anzac Day march in Sydney with two of his friends from the Airforce. Don marched every year.

I think these words are poignant and give a depth to why ANZAC day is important. It is an understanding that I gained from caring for my father-in-law, that the friendships were important alongside the service. To remember those who fought, to honour those who died and an opportunity for those who still remain amongst us to be able to catch up remembering friendships and comradeship brought forth out of adversity, and honour those bonds.

Linocuts – Week 1 Back to work carving

I have managed to start caving some small lino blocks in the last week or so and it is all going well with my shoulder so far which is excellent.

Here is a small image of some of the carvings – they are a couple of small designs I was working on back in 2012. The one on the left is from a series of 15x15cm square designs and the one of the right is from a series of 12 ‘Deco’ designs. I had been having long-term problems carving for a long while but I did 2 days carving this week and all was fine!! Yippee!! Hoping to start on some large blocks and multi-panel designs I designed at the end of last year very soon!

CARVING LINOBLOCK MARCH 2013 WEB

I have also finished painting & getting some new stock framed for the Day Fine Art Gallery in Blackheath, Blue Mountains NSW. There are plenty of flannel flowers in this new selection and they should be listed on this page in the next week or so.

I also printed one of the earlier designs that I was working on based on those old-fashioned postcards utilising black and white design and colour into one design. You can see the design process for these here.

This is an image of the design that I added some Photoshop colour into.

Sturt Desert Pea CARD 2012 COLOUR WEB

I then carved the linoblock back in May 2012 – take note that the design is carved in reverse.

Sturt Desert Pea Card 2012 WEB

Inking up the lino block.

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The first proof prints. The proof print is a ‘trial run’ to check the carving is all correct. I may choose to carve more ares out or fix areas before printing the final design. This shows the reversal of the printed image.

POSTCARDS SDP Printing 5

Handcoloured this week with watercolour.

This first completed on is Sturt Desert Peas – Retro Postcards

Sturt Desert Pea RETRO POSTCARD 1 WEB

Australia’s New National Cultural Policy – Creative Australia

Last week the Australian Government’s Arts Minister Simon Crean released the new ‘Creative Australia – The National Cultural Policy’. It has been 20 years since the government released an Arts or Cultural Policy so it was well overdue. I did think it was worth looking at the policy.

It is up to more qualified people than me to assess the full policy but I thought it would be good to take note of it here and what the Arts Minister, some of the Arts Organisations and the media had to say about. You can look up all the references below and make up your own minds as to what implications it will have for your own arts practice.

One of the major difficulties for myself and many others is that as ‘mid career’ artists often struggle far more than emerging artists. There is much more support for ‘emerging artists’ at the beginning of their artmaking careers but these opportunities dwindle as you get into ‘mid career’. I do find the definitions difficult especially for someone like me who has been in a kind of ‘holding circle’ for the past few years producing just a small amount of work due to being a Carer within my family for both elderly relatives and my own family needing extra support. Alongside this, I have had issues with RSI and shoulder surgery that has been impacting on my artistic output for the past few years as well. I feel like I have been in a kind of hiatus and am only now beginning to ‘restart’ my career. So does this mean the first few years count and the clock stopped on the ‘emerging’ and is just now restarting? Definitions themselves can be used to both help and hinder.

The other aspect for myself is the fact that I don’t really ‘fit’ as either a ‘traditional’ artist in the sense that I am not a ‘painter’ but my subject matter is largely ‘traditional’ ie. flowers. the difficulty is it is also ‘design’ based and printmaking. This has often presented difficulties for galleries who have no idea where my work ‘fits’. They also may not understand printmaking and often have a focus on ‘contemporary’ artworks. The Australian Government website states: “Contemporary art is defined as art that is current, offering a fresh perspective and point of view, and often employing new techniques and new media. Current art means works by both emerging and also established artists.”

These were a few of the ideas I submitted when the government was calling for submissions towards the development of the new policy.

Australian Wildflower Linocut - Australian Floral Emblems

You can read the full policy on Creative Australia website.

If you would like to see Simon Crean’s launch of the policy at the Press Club on Wednesday 13th March you can click here.

I was very impressed to see an Arts Minister who is enthusiastic about the arts and the promotion of Arts with education and within schools.

In the Transcript of the Creative Australia launch, National Press Club, Canberra, Mr Crean says:

“It’s a policy that sees the artist at the centre of creativity.

A policy that sees creativity crucial to the nation’s future.

A policy built on partnership.

But most of all, a policy proud of our culture…

…a culture which uniquely defines us…

…a culture which is admired by others.”

AND

“Culture is expressed in many ways through our stories, the way we live, speak, conduct public life, relate to others, celebrate, remember the past, entertain ourselves and imagine the future.

Our creative expression gives voice to us as individuals, challenges perceptions and helps us see the world through the eyes of others.

I, like many, have long held a passion for the arts.

It’s not just the enjoyment they bring, they’ve shaped and developed many aspects of who I am.

Just as they will have for everyone in this room and for anyone watching this broadcast.

I see the artist as central to us as a nation.

And to securing its future.

I believe government and society must continue to invest in the arts.

That investment produces important dividend”

ABC Radio National Breakfast Program with Fran Kelly has an excellent interview with Mr Crean including him saying:

“So the artist in many ways is at the centre of creativity and a creative society is the key to a competitive, globally engaged economy. So this is something that is about defining us, something about the investment in the artist but something that sets us up for the future as well.”

He also released a News Release for young Artists – Creative Australia to back students to pursue their dreams

Some analysis by Organisations:

NAVA – National Association fro the Visual Arts – National Cultural Policy – A Visual Arts Perspective

The Australia Council – Australia Council and the National Cultural Policy

ABC Radio National – Books & Arts – National Cultural Policy

artsHub – Creative Australia: Where the money goes

The Conversation – Joining the dots: Indigenous art and language in the national cultural policy

Read more: Some analysis from the media:

Modern touch for arts policy as autopilot finally disengaged

Simon Crean’s cultural manifesto is worth a second look

Arts Minister Simon Crean’s revamp encourages performers to ask fans for backing

Arts funding winners grin, but some criticism for Crean report

Creative Australia arts policy to ‘create jobs’

 

 

NOTE: Since writing this post we now have a new Federal Arts Minister – Tony Burke. Mr Burke came out as soon as the announcement that he was the new Minister & stated on Twitter : “Simon Crean produced an inspiring cultural policy in Creative Australia. It’s an honour to implement it as Arts Minister.”

New minister stands by arts policy

New Arts Minister Plans To Implement Crean’s Policy

Childhood friends – Sharon Quandt Photography

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I have a lovely friend – Sharon – who I grew up with in Loftus, Sydney. We lived across the road from each other and spent most days playing, riding bikes, building cubby houses and exploring the bushland. It was back in the 1960′s and 70′s when kids seemed to roam freely and widely & we had many ‘adventure’ and good times.

We went to school together – either walking or catching the local bus. Here we are in 1971 – where we are both looking decidedly mischievous, and in 1974 when we are looking a bit more grown up.

LYN & SHARON 1971 WEB Lyn & Sharon 1974WEB

We lived in a cul-de-sac which I think was the most wonderful type of street (as anyone who has grown up in one can agree) where we had a ready-made community. All of us kids would have the best time as well as learning to get along better with others. When we fought we had to resolve it pretty quickly – we had to live alongside each other and it was far less fun when we weren’t all together! We had a hill going down into the cul-de-sac flat area and would ride bikes and home-made billy carts. Although I do think this birthday present bike was rather large for me at the time.

LynettePerkinsWeir - Primrose Place Kids 3

Birthday parties were a chance for us kids to dress up and get together. Sharon is on the right between her brother and sister.

LynettePerkinsWeir - Primrose Place Kids 2

Sharon and I were also Bridesmaids for each other – even sharing our Bridesmaids dresses!

WeddingPartySharon & Darren Quandt Wedding 1 WEB

A couple of years ago Sharon decided to take up photography as a hobby but it has become a bit more than that!

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I see myself as someone who has always taken photos – family events, people places and of course native wildflowers & wildlife – a ‘snapper’ and recorder. But I see Sharon as a true Photographer. She can tell you all about the cameras and settings and how they work. She has spent many hours learning and developing her skills. I always said to her from the beginning she had a great ‘eye’ for photos – composition, colour and interest and she is producing the most wonderful photos. A little while back I helped her start a new website which she is developing.

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I really like her portraits where she has captured some beautiful images and wonderful ‘moments’.

You can see this in her photos – this is of one of her gorgeous niece and three of her nephews.

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Sharon’s family has always been involved in the local Bushfire Brigade – a really important organisation especially somewhere like Loftus which is surrounded but native bushland. I remember well many anxious times as we watched out of control fires heading up the gullies behind Loftus and our street. Sharon is also a member of the Brigade and has taken her camera along to trainings and events.

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So if you are looking for someone to take some photos (Sharon is in Sydney) – portraits, functions, weddings – I have included Sharon’s new poster below with her contact details on it. She has a website – Sharon Quandt Photography and a Facebook Page where you can follow what she is up to.

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Childhood and lifelong friends are just so special.

Sometimes you won’t see these friends for months or years but when you do it is just like you were talking yesterday.

Sharon is one of those friends – a kind and generous person which I think you can see through her gorgeous photography.

Art Happenings in Lismore

Well things have been very quiet for me on the art making front for the past little while. Two of my sons have been getting ready to go to University – in separate cities in different States! This includes my youngest son who is leaving home after finishing his HSC last year to live away for the first time so there as been LOTS to organise and set up.

So I have set the art making aside until we get everything done.

As ‘empty nesters’ for the first time there will be hopefully plenty of time for the art in just a couple of weeks time!

In the meantime there is a local traditional artist whose exhibition opened at Lismore Regional Gallery last night and it runs until 7th April. Her name is Margaret E Brown and I have helped her set up a little website with some of her work including a page with the pieces she has in the exhibition – The Red Heart.

This is one of her works – The Enchanted Gums – this is an oil painting but she works in a variety of mediums.

Another local artist/printmaker Darren Bryant is also exhibiting – Boy’s Own (The Hoon Series): Darren Bryant.

Both these local artists are alongside an exhibition about Australian Artist Thea Proctor and her contemporaries The new charge: Australian women modernists.

So it would be well worth a trip to Lismore Regional Gallery to have a look if you are out and about in Lismore anytime in the next month.

Brisbane Lily – Proiphys cunninghamii

A good few years ago I planted a couple of Proiphys cunninghamii — – Brisbane or Moreton Bay Lillies. Brisbane Lily 2012 4I bought them from a wonderful Australian plant nursery we used to have here just outside Lismore. Unfortunately the plant nursery is gone but my lilies are thriving. The horticulturalist who sold them to me said she only would sell them on condition I looked after them as they were quite rare.

Brisbane Lily 2012 3

I found a lovely little protected area near the steps to my front door in amongst some salvaged local rocks that I used to make the garden. They are right next to a Native Rhododendron & my Cairns lillies. Before I went on holidays the flower stems were beginning to emerge from the gorgeous green low lying leaves.

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I arrived home to find there was the tail end of the most spectacular display of flowers I have ever had!

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The flowers are finishing off now unfortunately but the flower heads are all forming the seeds.

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I love the flowers they are beautiful & white with yellow stamen, like little bells.

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I did find one flower stem just starting to emerge from the leaves just in time to give a lovely show for Christmas.

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